The 2009 Australian Open final between Roger Federer and Rafael Nadal made me restless. Not the duel - that was entertaining. But I couldn't think of a suitable analogy to compare these two artists and my reactions to them. Until the morning after.
Nadal is all power and fury, brute aggression, grimaces, grunts, mad dashes across the court. But one can't deny that he has the shots, he finds impossible angles and he can play the delicate drop shot as effectively as any. Federer is grace, artistry, elegance, magic - understated power and effortlessness.
Federer never looks like he's trying like mad, even when he is. Nadal always looks like he's trying like mad, even when he doesn't need to.
Nadal shares a name with a sublime artist - Raphael or Raffaello. Raphael was Michelangelo's contemporary and competitor, though he was eight years younger. The comparison is tempting, given the five year age gap between Federer and Nadal. Federer is undoubtedly Michelangelo, but Nadal is no Raphael.
Nadal is Jackson Pollock - insane energy, controlled chaos, relentless, pumped-up, tireless - "action painting". Federer is Michelangelo - sublime wizardry, poetry, adriotness, legerdemain, finesse - "beauty for the ages".
Jackson Pollock's "No. 5, 1948" became the world's most expensive painting in 2006, when it was sold privately to an undisclosed buyer for the sum of $140,000,000.
Michelangelo's frescos in the Sistine Chapel are a priceless gift to humanity.
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